There’s a new recipe for delight and success to be found in The Hundred-Foot Journey.
It tickles
the tastebuds in a way that’s fresh and familiar. Through well-paced scenes and
important character interaction and development, the film leaves the viewer feeling
warm and fuzzy inside.
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Directed by
Lasse Hallström
and based off the book by Richard C. Morais, the film follows the Kadam family,
who own and operate a family restaurant in Mumbai, India. Hassan Kadam (Manish
Dayal) is a young and promising chef. After a fire consumes everything they
have, the family moves and, at the insistence of Papa Kadam (Om Puri)
eventually lands in France to start up their restaurant once more.
However, complications arise
because across the street, only 100 feet away, is a French restaurant with a
coveted Michelin Star. Widowed owner Madame Mallory (Helen Mirren) does not
like the competition and soon a war erupts between the two owners.
The film brings a refreshing mix
of comedy, especially evident in Papa, and drama as the characters evolve on
their journey. The result is a heartwarming batter for a perfectly baked film.
All of the actors did
exceptionally well in their roles. Mirren is refined and polished as usual.
Although she puts on a French accent, it comes across as realistic, especially
when she speaks a few lines with ease in French.
Puri is wonderfully cast as
stubborn and humorous, but he shows his capability to showcase more dramatic or
emotionally serious scenes on more than one occasion.
The relationship and growth
between Dayal’s character and Charlotte Le Bon’s character, Marguerite, a
French woman who helps the Kadam family when their car breaks down outside the
French village.
The on-screen chemistry between
the two is apparent, through the good times and the bad, and watching those
character develop is heartfelt and believable.
Dayal’s character goes through a
lot in this film and his elation and his loneliness are extremely well done.
The landscapes for the film are
beautiful, giving some breathtaking shots. The narrative presents a combination
of two very different cultures and ways of doing things. From different styles
of culinary techniques to various mannerisms, two cultures are depicted on
screen.
There are a lot of food-centric
movies out there and this one stands apart as it deals with issues far greater
than cuisine.
By the end of the film, there is
a light and earnest feeling. Having watched conflict, having laughed at the
comedy, having felt torn up in the sad moments and enveloped in the romances,
the whole picture comes together as a light and happy story about family, love
and culture.
This is one recipe that agrees
with the tastebuds and is pure enjoyment from beginning to end.
Awesome column! I love this movie too! :)
ReplyDeleteI mean, fantastic article! :)
ReplyDelete